Henry
V: FocusTrack at the Michael Grandage Season
20th February 2014
FocusTrack has been helping keep the lighting for
Henry V, starring Jude Law,
in peak condition during the show's acclaimed,
smash-hit, sold-out run at London's Noël Coward
Theatre.
The last in a year-long series of productions by
director Michael Grandage, formerly artistic director
of the Donmar Warehouse, Henry V was designed by
Christopher Oram, with the lighting designed by
Neil Austin.
During the preview period, FocusTrack was deployed by
programmer Rob Halliday to create a
complete, detailed record of the focuses of both
the moving lights (six ETC Revolutions, ten DHA
Digital Light Curtains) and the entire
conventional rig. To achieve this, the showfile
was taken from the Eos console and imported into
FocusTrack, this revealing which moving light
positions and which conventional lights were
used in the show - as a bonus allowing unused
fixtures to be cut and removed from the rig.
In a morning focus plotting session, a camera and
laptop were then positioned in the centre of the
theatre's second circle. The laptop was configured
with FocusTrack controlling the lighting console,
allowing each moving light in each position and then
each conventional light to be turned on and
photographed automatically and at high speed.
Once that process was completed for the entire rig -
which took less than an hour - additional focus
photographs of the rig's crosslight were taken from
the fixture's point of view and also added to
FocusTrack, giving an accurate record of the
sidelight focus both front and side.
The entire process was completed in just a couple of
hours, to the amazement of Derek Anderson, the associate
lighting designer on the show who had also been
involved with earlier shows in the season - he
immediately commented that similar focus
plotting session on those shows, using other
techniques, had dragged on all day...
Once completed by the addition of cue state
photographs, the show documentation was printed to
PDFs and handed over to the show crew in the theatre
for reference on their computers, phones or tablets.
On receiving the documentation, Sharron Sando-Newman,
the Noël Coward's chief electrician, commented that
FocusTrack had delivered the most complete show
documentation the theatre's crew had seen.
"As it has on so many of my shows, FocusTrack proved
to be the perfect way of documenting the production
lighting quickly, efficiently and, most importantly,
accurately," comments Neil Austin. "This is critical
in allowing the crew running the show to precisely
maintain the lighting we've spent so much time
creating. It has also proved its worth over and over
again as shows have transferred to other venues or
when having to adapt rigs for touring. I consider it
an indispensible tool."
"Working with Rob and Neil is always great as they
are such a strong team," comments James Bierman, the
Michael Grandage Company's Producer. "The FocusTrack
system they used on Henry V is an incredibly quick
and efficient way of capturing their work and
enabling the rest of the lighting team to maintain it
every night for our run. It's a very powerful bridge
from the creative process to the brilliant show every
night we all strive for."
Further information about Henry V and the work of the
Michael Grandage Company can be found at www.michaelgrandagecompany.com.
Henry V is just one of countless
productions around the world making use of
FocusTrack, other recent shows including
Beautiful: The Carole King Musical,
The Bridges of Madison County and
Rodgers and Hammerstein's Cinderella in
New York, Once and
Evita on tour
around the US, Les Misérables and
Billy Elliot in London as well as
productions by Blue Man Group and
Cirque du Soleil.
Photographs:
Henry V starring Jude Law, photographer:
Johan Persson.